Author: La rédaction

ANNE MURRAY on October 3, 2017 at 8:52 AM With today’s mixture of established and unconventional biennials, it is necessary to think again about the purpose and drive behind the biennial itself and to wonder where we are going globally in terms of art, its movements, and its connections to globalization. This year’s Venice Biennale brought...

With today’s mixture of classic and unconventional biennials, it is necessary to think again about the purpose and drive behind the biennial itself and to wonder where we are going globally in terms of art, its movements, and its connections to globalization. This year’s Venice Biennale brought about many questions concerning the depth and political...

La 4ème édition de la biennale méditerranéenne des arts modernes s’est ouverte, dimanche soir, à Oran, avec la participation de 50 peintres algériens et étrangers.Cette manifestation qui coïncide avec la célébration du 55ème anniversaire du recouvrement de la souveraineté nationale se tient au musée des arts modernes d’Oran (MAMO), situé au centre-ville d’Oran. Outre les...

What happens when someone decides to create a biennial thatdefies convention and directly confronts the global issue ofexodus? The Mediterranean Biennial of Contemporary Art ofOran, Algeria (Biennale Méditerranéenne d’art contemporaind’Oran).Here is an interview with the two curators, Sadek Rahim andTewfik Ali Chaouche, of the Mediterranean Biennial ofContemporary Art of Oran, Algeria. Télécharger le magazine Ineffable